Portugal

EuroClub opening ceremony

Another tradition Eurovision location is Euroclub, which opened last night at 11pm (Lisbon time). It’s located at Praça do Comércio in Millennium club. Euroclub this year have two different spots: terrace and 2-leveled dance floor. This year’s Euroclub is three-times smaller than last year’s but this one looks more like a club, and not like exhibition centre.

Last night there were artist from Australia and Portugal performing. And the host was Suzy (Portugal 2014). In conclusion, this year’s Euroclub is more “clubish”, real place where you can rest or party like an animal

Keith's impression of the second half of Friday's rehearsals

The catering area for the press is well stocked with lots of tasty lunch options and isn’t overly expensive. There’s also free water and coffee so well done Denmark. It compensates for dragging us out to the middle of a post-industrial wilderness.

AZERBAIJAN was first up after the break and Dilara is in a beautiful deep red dress that becomes quite revealing with the lighting. The backdrop goes from gothic to Gotham and avoids the obvious fire cliché. Vocally this is better than I’ve heard it before and Dilara looks beautiful on the close-ups. The only issue I have with this is the trapeze, which I think is too distracting at the start of the song. I would have used her for the last minute only, after the initial crescendo, to add variety. Sailing into the final and a good bet for the Top 5.

UKRAINE is by far the worst vocal of the day so far and no amount of gimmicks using a man running in a hamster wheel or wind machines or mechanical backdrops can cover over the screechiness. The basic song was never up to much and it comes to hiding the basic frailty, Russia has done a much better job than Ukraine. If this was almost any other country I would say it was a non-qualifier, but almost all Ukraine’s neighbours are voting in this semi so it will undeservedly make the final.

BELGIUM Performance as in the national final but there’s less focus on the dancer. It’s not vocally perfect, but it’s good enough. The main issue I have here is the placement of Axel’s mic, which hides his mouth when viewed from the centre of the screen. The staging is also too dark for my liking. I think this presses buttons that the other ballads don’t and as long as he can deliver it, it should make the final.

MOLDOVA Christina was a little wayward on the first run through but really got her act together after that. She’s mixing a blue and gold in her half and half dress. The gladiators are a bit unnecessary at the start but when the song gets going they add some nice camera shots, especially from the overhead shots. The key change with added wind-machine really adds something. This is dividing opinion on whether it qualifies but I think it’s in the mix.

SAN MARINO isn’t helped by coming after Moldova as it’s a little pale in comparison. Valentina looks fantastic and is note perfect. She really has matured brilliantly in two short years. The white dress and background look nice and the overhead swirl of yellow look great on screen. The problem is not with the singer or the staging, but with the song, which sounds far too like a song that would have finished 7th in Sanremo in 1988. Not qualifying, I think.

PORTUGAL comes after a long lunch and after an ad break on the night. Suzy looks comfortable and the “suzyshake” is back. The green, red and yellow backdrop looks fantastic. On the night Suzy will be wearing be wearing a red dress with tassels. I love this, although there are elements of the presentation and lighting that I would change.. It’s got great energy and it’s fun, which is very welcome after the songs that come before it. I have a sneaky hunch that this will do better than many people think.

NETHERLANDS is another complete contrast to what goes before it. The overhead road traffic effects and long camera shot which introduces the singers at the start is great. Having them face one another is an inspired move as it makes the connection between the singers that wasn’t there in Amsterdam. Simple, effect staging, no gimmicks but is it instant enough? This is more likely to be a jury winner than a televote favourite but it’s back in the qualification mix for sure.